Monday, March 8, 2010

The Good, The Bad & The Oscar



I guess the saving grace to the show is that the winners were good. It would suck to have an awful show and awful winners. I guess it is too much to ask to have good winners and a good show. I don't remember the last time we had that? This year's Oscar ceremony reminded me of the Emmy's: It's kind of a boring trainwreck for the first 2 hours, but was saved by some awesome winners in the last hour.



The Good:
+Kathryn Bigelow is the first woman to ever win Best Directing.

+I know I shouldn't say it, but she's also hotter than most women there that are half her age.

+Geoffrey Fletcher is the first black man to ever win Adapted Screenplay.

+Tina Fey and Robert Downey Jr were funny together and showed some nice chemistry. As did Cameron Diaz and Steve Carell.



+I peed a little when Jake Gyllenhaal and Rachel McAdams presented together. How long I've loved these two...

+I peed even more when Michelle Pfeiffer and Julianne Moore came out.
(Okay, I didn't actually pee.)



+The acting speeches were nice. Waltz didn't turn his Oscar into some kind of metaphor or pun, but he was elegant. Mo'nique's slap in the face to the mudthrowing Oscar pundits was AWESOME. Jeff Bridges is one of the coolest people alive. And Sandra Bullock's speech was one of the best Oscar speeches ever.

+James Cameron lost. YAH!

+Random people I noticed in the audience: Mariska Hargitay, Sharlto Copely, Michael Stuhlbarg and Emma Stone. I get the first three, but maybe that wasn't Emma. At first I thought her and Woody were going to a tribute to zombies. They would bring back the dancers and John Hughes cast members.

+The ecstatic Hurt Locker boys.



+Sandy Powell's speech was hopefully a wakeup call to the Academy about nominating contemporary films in costume.

+The Ad for Modern Family. The way Sofia Vergara said Cloudy with a Chance of Meatballs made me laugh harder than anything on the Oscar telecast.


The Bad:
+The interpretive dancing. I'm glad they are getting roasted for that shit. It didn't go with the scores and didn't go with the show.

+The opening with Neil Patrick Harris. Yeah, haha, he was at every other award show, so let's have him here. No. Sorry, didn't work at all. Not only that, it was hard to understand what he was singing... On second thought, that may have been a blessing in disguise. Between that and my next point, it kinda felt like some bad variety show from the early 1980's.

+The American Idol/Miss American-esque opening with the leading acting nominees standing on stage. For no apparently reason. Oh, I guess it makes it more of a reality competition. Since that is how the producers view this show - as the original reality show??? - they did that. No, tards, it's an award show, a celebration.

+Why do special tributes to only the lead actors and not supporting? I did enjoy hearing the actor's compliment each other, but it stopped the show dead in its tracks. And if you're going to do them, could you hire better writers for them? Stringing together a bunch of positive adjectives is not a good tribute. Not only that, focus it more on the performance they gave rather than the person they are.



+What was with the audio problems? At times, I thought my TV was breaking. There was some weird buzzing I think during Diaz and Carell presenting Animated Feature and it happened again I forget when.

+And the terrible directing? They hired the director of the MTV Movie Awards. Not a smart move. Too many totally random shots of the audience. And the cutting the winners off, then keeping the shot on the audience while they got shoo'd off the stage was fucking stupid. And obvious.

+And again - CUTTING PEOPLE OFF. I've never seen an award show so blatantly cut people off. Usually, they just swell the music till they leave. Nope. We had to get to the dancing after all. Here's what I'd say: if one winner - 45 seconds. If more than one, the group gets a minute total. Swell the music till they finish, but don't cut them off or interupt them. Threatening them results in lackluster speeches.

+The John Hughes Tribute - this is also getting a lot of criticism and deservedly so. I'm not sure if he was ever nominated for an Oscar, but it's an insult to a lot of people who impacted cinema far more than home that they never got this recognition. Save it for the In Memorium. Speaking of which, I guess they cut some icons pictures from that segment to save time for the dancing.

+"Up next: The Oscar for Best Picture. Will it be Avatar, The Hurt Locker, The Blind Side or a surprise?" L. M. A. O.

+Tom Hanks quick runthrough of Best Picture at the end. He had to defend himself on Twitter by saying that's the way it was rehearsed. Sounds like another one of the producer's ideas that is getting bitchslapped.

+Kristen Stewart had the worst fake cough I've ever heard. Why have her and Taylor Lautner present a montage to horror movies? TWILIGHT IS NOT FUCKING HORROR. And while most horror fans like myself appreciate the recognition, there was way too much reliance on famous, audience friendly horror movies. Hardly anything foreign. I thought the Paranormal spoof started out funny, but it didn't really build to anything.



+Speaking of Stewart and Lautner, hey, BETTER PRESENTERS. I was reading something that said the has-beens and "fresh faces" far outnumbered the former winners/nominees and big stars. I totally agree. It's okay to get the young hotties, but you have to find a balance. This basically felt like a Golden Globes lineup. And having Jon Cryer there didn't help.

+Showing footage from the Sci-tech ceremony is a staple of the show. I felt bad for Liz Banks to basically come out and talk about it for 10 seconds then leave. Again, the producers wanted to get to the dancing, so they cut it short. UGH.

+Couldn't they have let Roger Corman and Lauren Bacall, you know, take the stage?

+Everyone that won for Avatar trying to validate the film but saying how IMPORTANT it is. Okay.

+George Clooney is this year's Russell Crowe/Salma Hayek/Tommy Lee Jones. Seriously, what does this guy have to be pissed off about?

+I thought the stage looked great in pictures but looked pretty awful on the show. Why does it always have to be blue? It's the Oscars. It should be gold or red.

+Irony: when Bullock presented cinematography, there were no clips/images. Just the movie name on a screen. WTF? I think it was the same with editing. But we have to have dancing?

+All of the mistakes: Charlize Theron said Precious was nominated for four Oscars. (Actually 6) Samuel L. Jackson said Up was the second film to be nominated for Best Picture & Best Animated Feature. Animated Feature was introduced in 2001, about 10 years after Beauty and the Beast was nominated for Best Picture. I believe Robert Downey Jr was introduced as an Oscar winner (he's a two-time nominee, that's it.) Not only that, but when Stewart introduced the horror clip, it was worded as if The Exorcist was the only horror movie to win. Umm, Jaws? Silence of the Lambs won freagin Best Picture.



The Mixed Bag:
+Steve Martin and Alec Baldwin - these guys can do better. The opening was a little too reliant on "Hey, there's _____" and then making a joke about the acting nominees. And it was clear there was a laugh track put in place. Kinda insulting to both the hosts and audience. But I did enjoy the jokes about Meryl Streep and her large collection of Hitler memorabilia. But my fave was "Who doesn't like Sandra Bullock? Tonight, we may find out."



+LOL - The Short Doc lady pulling a Kanye West. So apparently she had her name taken off the film but was still credited as a producer? And got to attend the ceremony? I was actually nervous during it, and maybe thought she was just a passionate producer, but no. Apparently, the guy's mother tried to block her. I found it odd they didn't cut away from this, but did during the dolphin activist during The Cove's win.

+I loved the way Animated Feature was presented. I loved the way the Shorts and Sound categories were introduced. But then, they just showed the name of the sound nominees, as they did with Editing and Cinematography. The way everything was presented was so hit or miss.

+I'm glad they had Downey & Fey and Gyllenhaal & McAdams do the screenplay presentation the same as last year. But my god did they breeze through it? Like, Fey was READING SUPER FAST or her audio was sped up just to keep things moving. To get to the awful dancing after all.

+I'm not happy with the original songs being cut. It would have been awesome to see Marion Cotillard perform as well as T Bone Burnett and Ryan Bingham. Surprisingly, however, the presentation of the songs wasn't that bad. Still, I want the songs.



+The Fashions...

After looking back, I liked a lot more than I initially thought. I think some people took some risks, some worked, some didn't.

LOL @ Kathy Ireland and Sherri Shepherd. Could they have two more inept people doing the official red carpet coverage? I love how Ireland had to defend herself on Twitter and say she wasn't drunk.

WORST: It pains me to say Zoe Saldana. She looked pretty awesome promoting Avatar and good at the Globes. But that dress was such a disaster. Diane Kruger ans Sarah Jessica Parker get dishonorable mentions. Diane is usually a disaster, but her SAG dress was my favorite at that award show. Guess it was a fluke. SJP is very hit or miss and this was a big miss for me, horse hair and all.
And Re: Charlize - Only she could pull off something like that.

THE BEST:

Some props to my boys Sam Worthington and Jake Gyllenhaal - yum. I hated Zac Efron's douchebag hair.

Honorable Mentions:

Anna Kendrick - cute and simple.
Miley Cyrus - I'm as shocked as you are. The second she opens her mouth it makes me want to take her off this list, but I give credit where its due.
Penelope Cruz - Hey, she didn't wear black for once! It was kinda like Keira Knightley's Oscar dress, but not as good.
Demi Moore - I think her hair and makeup could have been a little better but the dress works.
Amanda Seyfried - Lopez did something similar, and better. But I still really like this.



10. GABOUREY SIDIBE - so cute and really the greatest personality. "If the red carpet was porn, this dress would be the money shot." How can you not love that?

9. JULIANNE MOORE - I'm not sure if she walked the red carpet, but when I saw her sitting in the audience early in the show I was like OH SNAP SHE LOOKS GREAT. (Check out pix above, couldn't really find any others.)



8. RACHEL MCADAMS - I was mixed on this upon first sight. But when she came out to present with Jake, I thought she looked amazing. Maybe I'm just so glad she's finally at the Oscars. Soon, she'll be there as a nominee.



7. MERYL STREEP - Far and away the best I've seen her look. She actually tried this time.



6. JENNIFER LOPEZ - As much as we might dislike her, she can look great. She did last night, though I wish her hair was better.



5. ELIZABETH BANKS - Lovely and old school makeup and hair. Love her. Happy to see her at the Oscars.



4. CAMERON DIAZ - The best SHE'S EVER LOOKED. OMG. Seriously! I'm one of the few that typically loves her choices, but she looked her very best. Perfect hair, too. LOL - she makes me so happy?



3. VERA FARMIGA - Some really really hated this. I think it was the night's biggest risk that payed off for me. And LOL I'm 99% sure she was stoned on the red carpet. Bonus points for that. More bonus points for calling grumpy George "a fantastic mr. foxy fox."



2. KATE WINSLET - Why couldn't she have looked this great last year when she was winning? This is the Winslet we know and love, not that overrated shit from last year's Oscars. Love when she plays up her old school profile.



1. SANDRA BULLOOCK - Not nearly as instantly iconic and Julia or Halle's dresses they wore when they won the Oscar, but still pretty damn great. The best I've seen her look and such an "I'm winning this shit" look.

Initial Thoughts...

Not quite the total trainwreck I expected but it was definitely far from "good".

+Change "and the winner is..." back to "AND THE OSCAR GOES TO..." Now. Good on Kate Winslet for saying "and the oscars goes to..." That's right, Kate. Fuck that shit.

+GO BIGELOW and LMAO at Babs giving it to her.

+LOL - The supporting acting clips were like trailers for the performances. I thought only Christoph's worked, the rest sucked ass.

+Why does George Clooney seem like a real ass tonight?

+Martin and Baldwin were totally forgettable. Some funny stuff, though. "Who doesn't like Sandra Bullock? Tonight, we might find out."

+Way too fucking many people cut off. Way too many. Yeah, let's cut to random people in the room after cutting them off.

+Everyone should text dolphin to that Cove guy's number to spite the producers.

+Horror Montage - hey, I kinda liked this. But I would.

+The leading acting tributes was kinda nice. Too long though. LOVED LOVED LOVED seeing Julianne and Michelle. LOVE LOVE LOVE them. And La Pfeiffer and La Moore looked AMAZING.

+Ok - that opening with NPH. It was forgotten the second it ended.

+The other dancing to the scores - Ok, yeah, it was technically good dancing. But that fucking shit had NO PLACE here. NONE. WHATSOEVER. I really hope the standing ovation doesn't get to Adam Shankman's head - it will! - because it was only for the dancers. That will probably be remembered as the worst part of the night's show. It didn't even go with any themes of the films. SERIOUSLY - WHAT. THE. FUCK?????

+And something else that was, in theory, nice: the John Hughes tribute. But again - why do this for him when you have nothing for anyone else? Consider that Katherine Hepburn, Paul Newman, Ingmar Bergman, Robert Altman only got a few words mention and they were people that changed cinema. They didn't get their own tributes. And then dragging out cast members of his movies - most of whom looked they came from some VH1 reality show - was really awful.

All this, only at the OSCARS!

Best part of the night, really: Sandra Bullock made me cry. Seriously. I'm actually glad I didn't watch this with anyone but I had tears running down my cheeks at the end of the acceptance speech. And no, it wasn't because she was so undeserving, it was because it was a genuine, emotonal speech. She may not deserve an Oscar for being Hollywood's Miss Congeniality, but damn if that moment wasn't what the Oscars are all about.


In regards to the fashion, well....

That was the most bizarre red carpet I've ever seen.


More Tomorrow!

OSCAR WINNERS - HURT SO GOOD

•Best Picture: “The Hurt Locker” Kathryn Bigelow, Mark Boal, Nicolas Chartier, Greg Shapiro
•Best Director: “The Hurt Locker” Kathryn Bigelow
•Best Actor: Jeff Bridges in “Crazy Heart”
•Best Actress: Sandra Bullock in “The Blind Side”
•Best Supporting Actor: Christoph Waltz in “Inglourious Basterds”
•Best Supporting Actress: Mo’Nique in “Precious”
•Best Original Screenplay: “The Hurt Locker” Written by Mark Boal
•Best Adapted Screenplay: “Precious” Screenplay by Geoffrey Fletcher
•Best Foreign Language: “The Secret in Their Eyes (El Secreto de Sus Ojos)” Argentina
•Best Animated Film: “Up” Pete Docter
•Best Documentary: “The Cove” Louie Psihoyos and Fisher Stevens
•Best Cinematography: “Avatar” Mauro Fiore
•Best Art Direction: Avatar” Rick Carter, Robert Stromberg, Kim Sinclair
•Best Costumes: “The Young Victoria” Sandy Powell
•Best Editing: “The Hurt Locker” Bob Murawski and Chris Innis
•Best Score: “Up” Michael Giacchino
•Best Song: “The Weary Kind”(Crazy Heart) Ryan Bingham and T Bone Burnett
•Best Makeup: “Star Trek” Barney Burman, Mindy Hall and Joel Harlow
•Best Visual Effects: “Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham, Andrew R. Jones
•Best Sound Editing: “The Hurt Locker” Paul N.J. Ottosson
•Best Sound Mixing: “The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
•Best Animated Short: “Logorama” Nicolas Schmerkin
•Best Live Action Short: “The New Tenants” Joachim Back and Tivi Magnusson
•Best Documentary Short: “Music by Prudence” Roger Ross Williams and Elinor

Sunday, March 7, 2010

Happy Oscar Day!

This is my last post before the Oscars. Hopefully, everyone watches tonight's ceremony, which will probably be a trainwreck. Oh well.... I hope there's lots of amazing fashion on the red carpet, and lots of worthy winners. At least there might be that if the show sucks.

HAPPY OSCAR DAY!

Razzie Winners


Sandra Bullock, as promised, showed up to collect her Razzie(s) for All About Steve. Go girl! Winning footage here:

http://www.youtube.com/watch?v=adYced7GB8k&feature=player_embedded

Worst Picture - Transformers 2
Worst Director - Michael Bay, Transformers 2
Worst Screenplay - Transformers 2
Worst Actor - Jonas Brothers, Jonas Brothers: The 3-D Concert Experience
Worst Actress - Sandra Bullock, All About Steve
Worst Supporting Actor - Billy Ray Cyrus, The Hannah Montana Movie
Worst Supporting Actress - Sienna Miller, GI Joe: Rise of the Cobra
Worst Remake, Rip-off or Sequel - Land of the Lost
Worst Screen Couple - Sandra Bullock & Bradley Cooper - All About Steve

Worst Picture of the Decade - Battlefield Earth
Worst Actor of the Decade - Eddie Muprhy, Adventures of Pluto Nash, I Spy, Imagine That, Meet Dave, Norbit and Showtime
Worst Actress of the Decade - Paris Hilton, The Hottie and the Nottie, House of Wax, Repo: The Genetic Opera

Poor Sienna Miller. She's actually a good actress.

Presenters & Rehearsals & Spoilers

With just a few hours till Sunday's big show, some details have leaked.

Confirmed Presenters:

Pedro Almodovar, Elizabeth Banks, Jason Bateman, Kathy Bates, Jeff Bridges, Sandra Bullock, Gerard Butler, Steve Carell, Bradley Cooper, Penelope Cruz, Miley Cyrus, Matt Damon, Cameron Diaz, Robert Downey Jr, Zac Efron, Tina Fey, Colin Firth, Tom Ford, Jake Gyllenhaal, Tom Hanks, Samuel L. Jackson, Anna Kendrick, Taylor Lautner, Jennifer Lopez, Rachel McAdams, Demi Moore, Carey Mulligan, Sarah Jessica Parker, Sean Penn, Tyler Perry, Chris Pine, Queen Latifah, Keanu Reeves, Ryan Reynolds, Zoe Saldana, Amanda Seyfried, Kristen Stewart, Ben Still, Barbra Streisand, Quentin Tarantino, Charlize Theron, John Travolta, Sigourney Weaver, Robin Williams, Kate Winslet and Sam Worthington

This is an okay list. I guess I'm most excited to see Rachel McAdams. I still don't feel there are enough past winners/nominees.

The multiple presenter thing will apparently only happen with the leading categories. Instead of past winners, it will be "friends" of the nominees. They are being kept a secret, but a few have gotten out. Rumor has it..

Jeff Bridges - Michelle Pfeiffer
Colin Firth - Julianne Moore
Carey Mulligan - Peter Sarsgaard
Jeremy Renner - Colin Farrell
Gabourey Sidibe - Oprah Winfrey
Meryl Streep - Stanley Tucci

I think this more or less defeats the purpose. Wasn't the whole point to give the presentation a sense of history and pedigree? I'm not sure if this does it. It might make it more personal.

Additionally...

Chris Pine is presenting District 9's clip.
Jeff Bridges is presenting A Serious Man's clip.
Tom Ford and Sarah Jessica Parker are presenting Costume Design.
Pedro and Quentin are presenting Foreign Language Film.
Carey Mulligan and Zoe Saldana are presenting together.
Gerard Butler and Bradley Cooper are presenting together.

And also rumored: Julia Roberts will be presenting Picture.

"Happy Birthday, Marva."

"And the Oscar goes to....I love my life.... THE HURT LOCKER" ????

Pics - Winslet, Damon, Cruz, Worthington, Bullock - Sam & Sandra have the same glasses. hehe.









Saturday, March 6, 2010

MY OSCAR BALLOT!!!!


Bigelow and Renner are happy they got my vote.

The moment all 2 of you have been waiting for.

In Documentary, I've only seen Food Inc and The Cove. The Cove gets my vote. In Foreign Language Film, I've seen The White Ribbon. That's it.

I haven't seen the following films from the categories I'm about to "cast my vote" in:


Il Divo
The Imaginarium of Dr. Parnassus
Invictus
The Last Station
The Lovely Bones
Paris 36
The Princess and the Frog
The Secret of Kells
Sherlock Holmes
A Single Man

VISUAL EFFECTS - AVATAR
When Visual Effects are so strong that they help you in the categories of cinematography and art direction, you know they are great. Avatar is, what?, 99% visual effects. Star Trek is pretty good, but I really love the way District 9 incorporates them into the film. That's the type I would usually vote for. However, Avatar is in a class by itself here.

SOUND EDITING & SOUND MIXING - THE HURT LOCKER
Most people have no clue what separates these two: it is actually pretty easy. Mixing is the overall sound of the film: how dialogue, music, silence and effects are used. Editing is the sound created for the film. In both cases, I prefer The Hurt Locker. Avatar is probably just as worthy in Sound Editing, but the key really is how Hurt Locker uses its silence and how those bullets, explosions and rubble pierce through it. It's sorta like 2007 with Bourne Ultimatum Vs. No Country for Old Men.

MAKEUP - STAR TREK
I hear Il Divo's work is good, but I have no clue why Young Victoria is here? I'm going to credit it to Emily Blunt.

ART DIRECTION - AVATAR
Having not seen 2 of the more stylish noms in this category, that leaves me with Avatar. I'm aware that a lot of the sets in the film were visual effects, but someone had to design them. And it's not like the people who design the sets are the ones that actually build them. Nine feels too much like Chicago 2, and Young Victoria's sets could have come from any film of the time period.

COSTUME DESIGN - BRIGHT STAR
The Nine chicks were lovely, and Blunt looked regal as Victoria. But Bright Star's garb felt very inherent to the film. That's what should give contenders the edge in close race tech categories.

ORIGINAL SCORE - UP
Avatar was a lot of tribal chanting and cliched epic music. I have no clue why it is here. I've heard some of Sherlock's stuff and it is good. Haven't seen it, so can't vote for it. Loved the film Fantastic Mr. Fox, can't remember the score. Hurt lacks a theme, but felt organic. Up has a theme, fit the film, and was whimsical. WINNER.

ORIGINAL SONG - "The Weary Kind (Theme from Crazy Heart)", CRAZY HEART
This is easy. Really easy.

CINEMATOGRAPHY - INGLOURIOUS BASTERDS
I'd be happy with a Hurt win here, despite a little too much shakey cam. SHAKEY! CAM! Basterds has the most iconic shots - see anything with Melanie Laurent. I like White Ribbon but its B&W work isn't that jaw dropping. Past nominees like Good Night and Good Luck and The Man Who Wasn't There used the format much better. This category, despite being unpredictable, is pretty weak this year.

FILM EDITING - THE HURT LOCKER
Basterds is great with tension. "Hi, Sally!" I'd love to see her win just for the brutal Kill Bill snubbage. But perhaps 1% more intense and thrilling is Locker.

ANIMATED FEATURE - FANTASTIC MR. FOX
Sure, I loved Up. And Coraline. Mr. Fox is just so madly inventive and will be a classic years from now.

ADAPTED SCREENPLAY - IN THE LOOP
Here's a case where if everyone who votes would see Loop, it would have no trouble winning. Up in the Air will be a solid winner. Both screenplay categories are pretty awesome.

ORIGINAL SCREENPLAY - INGLOURIOUS BASTERDS
Hurt is a worthy winner any other year. Basterds doesn't just have Tarantino's trademark long scenes of dialogue and instantly iconic characters, it's easily his best job yet at crafting an actual story and propelling it forward. History revision is fun, kiddies!

SUPPORTING ACTOR - CHRISTOPH WALTZ, INGLOURIOUS BASTERDS
Loved Woody, too. But a baddie will take it for the third year in a row.

SUPPORTING ACTRESS - MO'NIQUE, PRECIOUS
I've seen all of these! I'm lukewarm on Vera here. I really like her and she really deserved a nomination for Nothing But the Truth but that movie got screwed over. I just think her work in Up in the Air is overrated. Kendrick, however, very much deserves the acclaim. Penelope is fun in Nine and plays an actual character, as opposed to most of that movie's extended cameos, errr, I mean cast. However, Cruz is overshadowed by Marion Cotillard, who is nothing short of ethereal. I was really impressed by Maggie in Crazy Heart. After seeing it, I'm surprised she didn't show up anywhere else. It's pretty baity work and a classic supporting turn. Everyone is just in Mo's shadow. Filler so there can be. Go, Mo, go! I still wish one of the Basterds ladies Kruger or Laurent would have showed up here. Oh well.

LEAD ACTOR - JEFF BRIDGES, CRAZY HEART
Jeff is one of my fave actors. He's just barely above Jeremy Renner in this category for me. Bridges is just perfect, like Rourke last year kind of relying on his offscreen persona to sell the character. Great work. Renner's work requires him to be equal parts action movie hero and precise character actor. Great work. Clooney does another of his classic movie star charmy parts and does it well. I wish he was nominated for his earlier and better stuff like Out of Sight or O Brother..

LEAD ACTRESS - CAREY MULLIGAN, AN EDUCATION
I'm tempted to switch to Gabourey, because her speech would be the best ever. Guarenteed. She'd be so excited she would probably pee on stage. I don't particularly LOVE any of the performances here. Meryl is fun, but her other "light" performance in Devil Wears Prada was far more deserving of a third Oscar win for the actress. She had some nice moments in Julie and Julia. Oddly, after watching that film, I didn't want to eat or cook. Usually after watching food movies, I do. Gabourey made me want to steal a bucket of fried chicken. Carey made me want to, well, do something with a banana. Mulligan's work is star-making, perfectly captured. I just wish An Education had been more original or given her that exra oomph. As far Bullock, see Wednesday's post.

DIRECTING - KATHRYN BIGELOW, THE HURT LOCKER
Barely, just barely edging out Tarantino, I give it to Bigelow. It's not just because she'll be the first woman winner and I fully support that. It's because of her control of everything going on in The Hurt Locker and that she did it all with a minimal budget, making it the most gripping, thrilling action film in ages. In total control of all the aspects that go into filmmaking, I'm in awe of her and Tarantino's skills. Reitman is good, knowing when to let his screenplay and actors tell the story. James Cameron really pushed his effects prodigies and that's it. Lee Daniels...well, he has skill with the actors. There's no denying that. But some of his choices in that film were seriosuly WTF?

PICTURE:

Ranked.

10. The Blind Side
LOL Okay. I had some Taco Bell to "celebrate" this movie today. That's about as deep as the movie is. People love Taco Bell. They love The Blind Side. They love being white, being Christian, being like a rejected character from Designing Women who has a very special episode with a young black man.
Oscar party food: Taco Bell.

9. Avatar
Hey, James! You know what a really special effect is: a screenplay. Know another one: skill with actors. Hundreds of millions can't buy that.
Oscar party food: blue cheese.

8. A Serious Man
I felt the same way about this film as I did about Synecdoche, New York. I'm sure I'll see it in 5 years on IFC and totally love it. I'll just leave it at that for now.
Oscar party food: Something kosher.

7. Precious
Incredible acting, a good screenplay, and a bit too much misery porn. I'm black. I wish I was white. I'm overweight. My parents sexually abuse me. My mom makes Joan Crawford look like an angel. I can't read. I have two kids. One is disabled. I have HIV. Tyler Perry produced my movie. Coincidence it was released by the same people who did Saw?
Oscar party food: a stolen bucket of chicken. But not pig's feet. Too hairy.

6. An Education
Great cast, able to elevate a standard story. Pleasant, but forgettable. Mulligan will be big though.
Oscar party food: a banana.

5. Up in the Air
Feels like something that'll be on TNT endless in 3 years, in the Jerry Maguire/Shawshank Redemption vein. Very good acting, very good screenplay. Better than Juno. I think Reitman has yet to make that great film. He's on his way.
Oscar party food: little bottles of liquor and a bag of peanuts.

4. District 9
Here's where I start loving the nominees. Thrilling, fun and yes, I'm aware the symbolism is obvious. Great use of visual effects, well incorporated into the story. (Yes, James Cameron, story. The thing you start with. Then you add the visuals. And don't steal it from Ferngully: The Last Rainforest. Steal it from APARTHEID!)
Oscar party food: prawn. Or cat food.

3. Up
Funny and surprisingly emotional. A fun summer adventure movie.
Oscar party food: Grape soda.

2. The Hurt Locker
Intense. The definitive movie about the Iraq War. It's probably too early to say that, but as of this writing - yes, that.
Oscar party food: Capri suns and cereal.

1. INGLOURIOUS BASTERDS
The most audacious film of the year: a tale of the cinema owner, the Jew hunter, the basterds, the German soldier, the actress/undercover spy, the critic, the Bear Jew, the Fuhrer, and the theatre that holds their fates. Long-winded dialogue, instantly iconic characters, pulpy revenge, movie references, badass music. Yes, we're in Tarantino country. In 2009, there was no better place to be. Of the 10 nominees, I believe time will be kindest to this one.
Oscar party food: apple studel (with cream!) and milk. And Schnapps.

Independent Spirit Award Winners

I watched all of this on IFC. One thing I didn't like was the fading of the image to have a big giant corporate sponsor logo take over the screen. WTF? Mostly, though, it was a good show. Nice moments between Maggie Gyllenhaal and Jeff Bridges, Lee Daniels and Mo'nique. I LOVED Gabourey Sidibe's speech. So fun and she was thrilled. Loved that she mentioned saving her money to go to the independent theatre to see Welcome to the Dollhouse. Noteworthy: in the montage of 25 years of independent spirit, where was Far From Heaven or Brokeback Mountain? Both films won Best Feature and neither was shown. Odd. Yet there was a SHITLOAD of Little Miss Sunshine. Didn't care much for Eddie Izzard. Ben Stiller was surprisingly tolerable as the final presenter, though the porn star thing was kinda dumb. Oh, and the (500) Days of Summer screenwriters were cute.

BEST FEATURE: Precious
BEST DIRECTOR: Lee Daniels - Precious
BEST FEMALE LEAD: Gabourey Sidibe - Precious
BEST MALE LEAD: Jeff Bridges - Crazy Heart
BEST SUPPORTING FEMALE: Mo’Nique - Precious
BEST SUPPORTING MALE: Woody Harrelson - The Messenger
BEST FIRST FEATURE: Crazy Heart
JOHN CASSAVETES AWARD: Humpday
BEST SCREENPLAY: Scott Neustadter & Michael H. Weber - (500) Days of Summer
BEST FIRST SCREENPLAY: Geoffrey Fletcher - Precious
BEST CINEMATOGRAPHY: Roger Deakins for A Serious Man
BEST DOCUMENTARY: Anvil!
BEST FOREIGN FILM: An Education
ROBERT ALTMAN AWARD: Director & Cast of A Serious Man
PRODUCERS AWARD: Karen Chien (The Exploding Girl, Santa Mesa)
SOMEONE TO WATCH AWARD: Kyle Patrick Alvarez - Easier With Practice
TRUER THAN FICTION AWARD: Bill Ross & Turner Ross - 45365

Friday, March 5, 2010

If they were going to...., well, they're not. But if I had to....

So the biggest and most talked about change regarding the Oscars last year was having past winners introduce the current slate of nominees. I, for the most part, liked it. The supporting actress crew was probably the best, given how much a surprise it was being the first of the acting categories and it seemed to be the one that produced the most emotion. You could see it in Viola Davis and Amy Adams's eyes how touched they were.

There were downsides: Adrien Brody's "Who is Richard Jenkins? If you googled..." and Halle Berry making Melissa Leo's tribute all about Halle Berry. (Just imagine if they had Julia Roberts do one of these! Cringe!) And then there was the best: My Anne Hathaway emotionally putting her hand to her chest, tears in her eyes, mouthing 'thank you' to Shirley MacLaine. The Robert De Niro - Sean Penn one was pretty solid as well. And Marion Cotillard proved to be one of Kate Winslet's biggest fans.

The biggest disadvantage of this is a lack of acting clips. Yes, we love those screaming, tearful, campy clips. Or totally random ones like Heath Ledger's for Brokeback or tonally misleading ones like Nicole Kidman's Moulin Rouge clip. But still. Doing what they did last year really brings a sense of history and pedigree to it. It's really nice seeing some of the past winners. Of course, if they did this every year, we'd have to see Mira Sorvino or Roberto Benigni or Cuba Gooding Jr (oh wait...) at some point. Not only that, if you have a case like this year where Penelope Cruz won last year and is nominated this year, then what happens? Does she present herself? That would be kinda funny. I'd say do this every 5 years as sort of an anniversary idea.

But if they did it this year...

ACTOR:
Jeff Bridges - Robert Duvall
George Clooney - Jack Nicholson
Colin Firth - Jeremy Irons
Morgan Freeman - Denzel Washington
Jeremy Renner - Sean Penn

ACTRESS:
Sandra Bullock - Ellen Burstyn
Helen Mirren - Kate Winslet
Carey Mulligan - Julie Andrews
Gabourey Sidibe - Jodie Foster
Meryl Streep - Emma Thompson

SUPPORTING ACTOR:
Matt Damon - Robin Williams
Woody Harrelson - Louis Gossett Jr
Christopher Plummer - Michael Caine
Stanley Tucci - Chris Cooper
Christoph Waltz - Javier Bardem

SUPPORTING ACTRESS:
Penelope Cruz - Catherine Zeta-Jones
Vera Farmiga - Geena Davis
Maggie Gyllenhaal - Marcia Gay Harden
Anna Kendrick - Anna Paquin
Mo'nique - Rita Moreno

OSCAR PREDICTIONS!!

LOL - The Shorts.

Short - Live Action:
Miracle Fish

Short - Documentary:
China's Unnatural Disaster: The Tears of Sichuan Province

Short - Animated:
Logorama


Yeah, no clue with those.

Documentary Feature:
The Cove

alt - Food Inc.

Foreign Language Film:
El Secreto De Sus Ojos

alt - The White Ribbon

ANIMATED FEATURE:
UP
- 54% chance of winning
Fantastic Mr. Fox - 30%
Coraline - 10%
The Secret of Kells - 4%
The Princess and the Frog - 2%

VISUAL EFFECTS:
AVATAR
- 92% chance of winning
Star Trek - 6%
District 9 - 2%
Put it like this: If Avatar loses this, it would indicated the Academy is actively against it, and it will lose everything else.

SOUND EDITING:
AVATAR
- 44% chance of winning
The Hurt Locker - 33%
Star Trek - 10%
Inglourious Basterds 8%
Up - 5%
Hurt could win here, too. If it does, it's an easy stroll to Picture.

SOUND MIXING:
THE HURT LOCKER
- 41% chance of winning
Avatar - 38%
Inglourious Basterds - 10%
Star Trek - 6%
Transformers: Revenge of the Fallen - 5%
I think Hurt is taking one sound category, and its chances in mixing are better than editing.

MAKEUP:
STAR TREK
- 55% chance of winning
The Young Victoria - 35%
Il Divo - 10%

ORIGINAL SONG:
"THE WEARY KIND", Crazy Heart
- 50% chance of winning
"Down in New Orleans", The Princess and the Frog - 25%
"Take It All", Nine - 15%
"Almost There", The Princess and the Frog - 6%
"Loin De Paname", Paris 36 - 4%
The wins here can be pretty random, but I think there's no way Crazy is losing.

ORIGINAL SCORE:
UP
- 46% chance of winning
Avatar - 20%
The Hurt Locker - 17%
Sherlock Holmes - 12%
Fantastic Mr. Fox - 5%
Again, if Hurt wins here, it's winning picture no contest.

ART DIRECTION:
SHERLOCK HOLMES
- 32% chance of winning
Avatar - 31%
Imaginarium of Dr. Parnassus - 14%
The Young Victoria - 13%
Nine - 10%
Any of these could win. I think Avatar has the same disadvantage it his in this category as it does in cinematography: how much of it will be considered visual effects. So I went for standard Victorian decoration, not the young kind.

COSTUME DESIGN:
THE YOUNG VICTORIA
- 36% chance of winning
Coco Before Chanel - 18%
Bright Star - 17%
Imaginarium of Dr. Parnassus - 15%
Nine - 14%
The bigger and prettier, the easier to predict.

CINEMATOGRAPHY:
THE WHITE RIBBON
- 25% chance of winning
The Hurt Locker - 23%
Inglourious Basterds - 22%
Avatar - 20%
Harry Potter and the Half-Blood Prince - 10%
Most agree this is the hardest category to predict. Consider a lot of Avatar's cinematography was visual effects. Consider they typically go with the "prettiest" nominee - that would probably be Basterds. It has the most iconic shots - think Shoshanna's projection through the smoke in the theatre, or Shoshanna standing in the attic of the cinema looking through the glass, or anything with Shoshanna. Hurt Locker is the grainiest, but it's also the eventual Picture winner which may help it here. In the end, I went with the B&W White Ribbon. Even though it wasn't filmed in B&W, voters will be all "OMG! B&W" and mark it. Right? Right?

FILM EDITING:
THE HURT LOCKER
- 55% chance of winning
Avatar - 26%
Inglourious Basterds - 10%
Precious - 5%
District 9 - 4%
If Avatar wins here, it has a strong chance in Picture.

ADAPTED SCREENPLAY:
UP IN THE AIR
- 40% chance of winning
Precious - 20%
An Education - 18%
District 9 - 12%
In the Loop - 10%
Pretty much a done deal.

ORIGINAL SCREENPLAY:
THE HURT LOCKER
- 39% chance of winning
Inglourious Basterds - 38%
Up - 12%
A Serious Man - 6%
The Messenger - 5%
If Basterds takes Screenplay and Cinematography, it might take Picture. But that probably won't happen.

SUPPORTING ACTOR:
CHRISTOPH WALTZ
- 65% chance of winning
Christopher Plummer - 12%
Stanley Tucci - 11%
Woody Harrelson - 10%
Matt Damon - 2%
Done deal. Though they could vote for Plummer considering he doesn't have an Oscar.

SUPPORTING ACTRESS:
MO'NIQUE
- 70% chance of winning
Anna Kendrick - 12%
Vera Farmiga - 10%
Maggie Gyllenhaal - 7%
Penelope Cruz - 1%
If her anti-campaign "campaign" created a backlash, the Air gals could benefit. But that won't happen.

LEAD ACTOR:
JEFF BRIDGES
- 68% chance of winning
Jeremy Renner - 14%
George Clooney - 9%
Colin Firth - 8%
Morgan Freeman - 1%
Bridges is long overdue. Easy.

LEAD ACTRESS:
SANDRA BULLOCK
- 30% chance of winning
Meryl Streep - 28%
Carey Mulligan - 24%
Gabourey Sidibe - 16%
Helen Mirren - 2%
Perhaps out of all the top categories, this one could produce an upset. Streep is right on Bullock's tail and Mulligan might be right behind them. One thing is certain: Mirren can remain seated.

DIRECTING:
KATHRYN BIGELOW
- 60% chance of winning
James Cameron - 22%
Quentin Tarantino - 8%
Jason Reitman - 6%
Lee Daniels - 4%
If Bigelow doesn't take this shit, I'm gonna dump an Avaturd on Cameron's head.

PICTURE:
THE HURT LOCKER
- 29% chance of winning
Avatar - 18%
Inglourious Basterds - 15%
Up in the Air - 11%
Precious - 8%
Up - 7%
An Education - 5%
The Blind Side - 4%
District 9 - 2%
A Serious Man - 1%
10 nominees and the preferential ballot voting system might screw things up. Really, Avatar's only major wins came from the Golden Globes. Hurt has taken just about everything else, except for the SAG which went to the Basterds. It'll be one of those three. Probably. The voting method could screw things up. I hope they abandon it next year. Keep 10 nominees, though.

TOMORROW - WHO I'M ROOTING FOR!!!!

Wednesday, March 3, 2010

Sandra Bullock - my dirty tell all.

What follows will no doubt cause people that know me to question how much alcohol I might have ingested before posting this. Truthfully, I've been meaning to post this for awhile. With just a few days to go before Hollywood's Prom Night, there really is no better time.



Sandra Bullock is the first actress I ever loved.

There.

I was 11 when Speed came to VHS. I don't think I saw it until early 1995. Perhaps spring. What's interesting about the film is that everyone in my 5th grade class loved it. I was upset that my parents wouldn't let me watch it because of the language. They eventually gave in. Interestingly enough, mere months after seeing Speed, I would watch and rewatch the ultimate F-bomb movie, Pulp Fiction. Anywho, sometime after seeing Speed, I saw ads on TV for a movie called While You Were Sleeping. For reasons unclear to me almost 15 years later, I decided that I must see it and that I would love the lead actress of the film, Sandra Bullock. Bullock, at the time, was still considered "new" in Hollywood. Speed was a monster hit the summer before, and this was her chance to prove herself. While You Were Sleeping opened in April 1995 to decent reviews and pulled in $9 million its opening weekend. I watched the entertainment shows the following Monday to see how the film did. The entertainment shows - which back then were fluffy and not at all the scandal, tabloidy fixtures they are today - all said the same thing: Sandra Bullock was the new Julia Roberts. In hindsight, this is a rather odd statement given that Bullock is actually a few years older than Roberts. And that Roberts at the time was only about 28. The following weekend, Sleeping actually went up to over $10 million. By the end of the summer, the movie pulled in over $80 million. That probably translates to about $135-140 million in today's ticket prices. Any up-and-coming actress would be proud to pull in those kind of numbers. It wasn't until the end of the summer that I would see Sleeping at the cheap $2 theatre with my mom. The theatre was packed. I think it was probably one of my favorite movie-going experiences. I was the youngest person in the theatre by a wide margin, as I guess the Sunday matinee crowd at the cheapie theatre consisted mostly of seniors. Well, just about everyone in the theatre loved the film. There were laughs and "ooohs." And Bullock was the main reason. So naturally likeable, and pretty in an approachable way, Bullock found a way to steal everyone in the audience's heart. Awwww. At the time of my initial viewing of the film, Bullock was headlining another film called The Net. It was in first run and was doing solid numbers, eventually topping out at about $50 million. I bought Us Magazine because Sandra was on the cover. I read and reread the article about her. I'd have to wait till The Net hit VHS (HA! Remember when it took like 6 months for movies to come to video?) to see it, and it was another film that I watched and rewatched. It is hilariosly dated now, as it had that mid-90's view of what the internet would be to people. But still, its an enjoyable film. Flaws and all.

January 1996 - Bullock stars with Denis Leary in a terrible film called Two If By Sea. The film is instantly forgotten. That summer, Bullock stars in the John Grisham adaptation A Time To Kill, which pulls in over $100 million at the box office. I very much liked the film, even if I didn't realize it would pretty much be the only time Matthew McConaughey would ever be acceptable on screen. Eventually, we'd all be smart enough to realize that he needed to go away.

So in the fall of 1995, there was much hype about the then-Mrs. Tom Cruise, Nicole Kidman, in a film called To Die For. I should mention that during the summer, while I was excited to see While You Were Sleeping, I was equally anticipating Batman Forever, which I saw in cinemas. My interest in actresses expanded to Nicole as well. And when I saw To Die For in April 1996, my affection for Miss Bullock may have dwindled as it was the beginning of my Kidmania. It would be in 1998, when the two actresses would costar in Practical Magic that I would fully switch teams. Interesting, really. Here you have two good actresses - one the essential definition of movie star, the other still struggling to get out of her husband's shadow. (Ironic, she was taller than him.) A mere three years later, Kidman would prove herself to be a "real actress" - to reference her doomed character in Moulin Rouge! - to audiences and critics and earn her first Oscar nomination. Bullock would still be the much loved movie star, starring in modest pictures that performed well, if not outstanding, at the box office.

What I'm getting at with all of this is that I'd eventually learn the difference of what a movie star is versus what an actor is. Actors can disguise themselves as movie stars, but movie stars can'd pull off the opposite trick. Sandra Bullock is not a great actress and never will be. She has perhaps only once (Crash) strayed from her warm onscreen persona. She is about to win an Oscar for a performance that a number of actresses could have easily pulled off in a film that is pretty much, to me, a joke. Nicole Kidman could not have pulled off this performance, however. We've seen Julia Roberts and Reese Witherspoon just this decade win for performances in similar veins. Both were better in their respective films than Bullock is in The Blind Side and both of their films were vastly superior. Not only that, you can see an actressy actress pull off a sweetheart role in the same category - Meryl Streep in Julie and Julia.

I haven't seen Helen Mirren in The Last Station, but I can say that among the remaining nominees, Bullock is easily the least win-worthy. I'll reveal later this week who I think should win, but it's not Bullock. I don't have a problem with her nomination. Her win will be looked at in the same way John Wayne's win for True Grit is - as recognition for being a much-loved movie star and a consistant box office performer, but largely a joke to cinemaphiles. As many have stated, this year, it is "her turn." I don't believe the actress lineup is great enough that Bullock should be ruled out. The only two leading actress performances I've had passion for in 2009 were Jessica and Drew for Grey Gardens. And that was a TV movie. Supporting actress, meanwhile, is stacked with greatness.

But in all honesty, I'll be cheering happily when Sandra adds Oscar-winner forever to her marquee name. It's hard to root against a sweetheart. And when you hear Bullock speak in person, so quick-witted and funny, it's hard to root against her. It's certainly hard to root against that movie star I fell in love with back in the summer of 1995. While my tastes in actresses may have matured, I'll never be immune to the charms of Sandra.


And with that, I present my top 5 favorite performances of Sandra Bullock:

5. The Blind Side
A terribly mediocre film that made $250 million at the domestic box office. Yet, it works for her. The character - a Southern belle who does the Christian thing and takes in a homeless black boy - is one note. Yet, Bullock seems to know this woman inside out and manages to somewhat rise above the film. It's easy to see why people love her, even if this is a pretty easy character.

4. Practical Magic
I'm sure we'd all look good when standing next to God for 2 hours. A perenial favorite of mine, this sorta goofy romantic dramedy/thriller has Bullock playing witchy sister to Nicole Kidman, who looks the best she's ever looked. Kidman is totally sexy and bewitching - easily the best witch she's played in her career. And Bullock is endearing as her more straight edge, PTA-going sister. She has some nice chemisty with Aidan Quinn.

3. Speed
Holding her own against crazy Dennis Hopper and Keanu "woah!" Reeves, Bullock's performance as the wildcat forced to drive the bus-bomb could have easily been second fiddle. Instead, she sparkles with perfect comedic timing and makes an engaging action babe, able to add some dimension to the adrenaline pumping action classic. She earns bonus points for having a great sense of humor about the dismal sequel.

2. While You Were Sleeping
Effortlessly sweet and likeable without turning to some kind of mush. She was nominated for her first Golden Globe for her work here. She makes the entire film work, and its hard to imagine Demi Moore or Meg Ryan - the studio's original choices - come anywhere close to what Bullock acheives here.

1. Miss Congeniality
So I haven't mentioned this film at all yet and there's a big reason. Bullock said she wanted to do a female Jim Carrey role and that's why she chose this film. Like Sleeping and Blind Side, this was a huge sleeper hit during Christmas 2000. It pulled in over $100 million, and like most of her successes, can be credited completely to her. I actually would fully support this performance for an Oscar win, no lie. Again with the impeccable comedic timing and great chemistry with costars Michael Caine and Benjamin Bratt. Admit it: you've said "you think I'm seexxxy" or "you want to kisssss me" endlessly after seeing this. And when it comes on TNT or TBS, you probably waited for the part where she says that. I also love when she mocks the Miss America tape they make her watch for research on the plane. Ranking with Reese Witherspoon in Legally Blonde and Renee Zellweger in Bridget Jones's Diary, this is a perfect comedy performance.

Bullock has so far been an active part in two of this dull award season's best moments: the showdown/makeout with Streep at the BFCAs and the Betty White tribute at the SAGs. Here's hoping she's as fun during her Oscar speech.